From Bill Porter, aka Big Eats, here is the long awaited solo collection, "Pain Jams." Bill has played in many Richmond, VA bands including Hallelujah! and HO-AX. Currently, he plays percussion and keyboard for Bermuda Triangles. I just finished listening to it and it's really awesome. There are a lot of guests performing on it, hence the "Munch Crew," and it really adds a lot of flavor to some already tasty morsels. Hey, look! I made food references in a food-theme-named music project!
Below you will find a synopsis from Big Eats' blog, as well as a full download of the album, supplied by Bill himself. DAMN THE MAN!
"Here's something I've spent the last year or more wanting to release as a CDR. Since I have the power of the internet at my fingertips (as well as some free time) I've decided that it's time to just put this thing out for free online. I may make a limited run of them in November along with another project I've been working on called 'Women Of Rock' and 'Silver Ninjas'. I will also, in the near future post the full length self-titled release of 'Bloodbanks' (featuring Clifford Schwing on Sax) Big Eats is myself playing beats, samples, guitar, keyboards and basically whatever was around. Vocals are done by friends on certain tracks. On a couple occasions friends made sounds." - Bill Porter
Download: Big Eats & Munch Crew - Pain Jams .rar Files must be extracted after download. Download will expire on September 25, 2009. Also, please note, there is a permanent link to download the album if you go through Big Eats' blog. I made this special one, with fixed ID tags, because I'm a perfectionist that way.
This is, by far, the greatest thing I've come across (thanks to Legs) since living in Austin. It's a public access show called "Everything In Heaven Is TV." It's only been on for one "season" which was just released, to buy, this past month. I can't seem to find where to buy the DVD on their site, but I'm sure if you contact them they'll work it out with you. Here is a brief synopsis from their website as well as some clips.
"Everything In Heaven Is TV is a Totally Wreck Production Institute Production in association with Channel Austin Public Access. Season One was released and aired during the fall season of 2008. Produced by Amanda Joy, Juan Cisneros, Eli Welbourne, Ben Aqua and Chad Allen. with the ongoing help and support of many like minded artists, salesmen, psychics, cats, psychic cats, and the love of many many confused viewers."
This is a 2 part post with the other half being posted at the THEE OUTERNET blog. I've been filming bands here in Richmond, VA this summer. Some of the footage is a little dark but that's because we have shows in dark sushi restaurants, dark pool-halls, and semi-dark bowling alleys. Here's a look into our seedy world:
When we first released our latest compilation, SING A RAINBOW!, there were 200 copies pressed. Those copies are now down to about 20. This is not counting the copies still floating around Austin record stores and various other locations. Once those beautifully packaged, shrink-wrapped CD's run out it will still exist, but only in CD-R form. It'll still be pretty, but in a different way. Any ideas on how to make a CD-R version are greatly appreciated.
That being said, I've added some new tracks to OURSPACE, from this awesome disc, for a limited time. I wanted to put them all on there, but that's just not possible. Plus, I didn't want to assume I could upload too many of the many talented bands and artists without their permission. So head over and check them out. Putting the list on 'random' helps me listen. It's hard to decide a track order for songs that were already randomized to begin with. Here's what's new...
They Lean On Fences! by Modern Man (also available on his album, Machine Room) Abslt Sht (unfinished) by Big Eats (Bill Porter solo track, beatnik apathy ensues) Tornado Alley by Bermuda Triangles (Jason Hodges solo track also featured on Terror In The Tropics from CNP Records) Such A Sad Day by Acheronian (unreleased track from VA's master of doom) That's Right! by B L A C K I E (from Wilderness of North America) B L A C K I E is performing along w/Bermuda Triangles and Head Molt, on Monday, in Richmond. You lucky sonsabitches. also added: Machismo (live 03.19.09) by Magic Jewels (recorded at our SXSW 2009 day show) Magic Jewels are heading into the studio, next month, to record a brand new full length album. Details as they develop.
Last night I went to a show at Club 1808 entitled "House vs. Noise", featuring five House DJs on the inside and five Noise acts outside (missed the first one "Xathax"). I am not going to comment too much much on the House aspect of the show, I will say that Noise definitely won by a land slide... however, there was one girl who danced to the House all night non-stop. It was quite an effort, but Noise still prevailed.
The first act I saw was called "Bubblegum Shitface". I had heard good things about this guy and I discovered he used to play with Rotten Milk (from Stress Ape and CAVE, both bands I am quite fond of) so I was excited to see him but, I was sadly quite disappointed. To spite their impressive mountain of home-made circuit bent pedals and gadgets the performers seemed disinterested in their own performance as they ate slices of pizza, smoked a joint (which they shared, the only highlight), and turned a few knobs. Over-all a yawn fest and the lack of anyone paying attention to them was evidence of that... but don't worry, it gets better.
The second performer was some kind of noisy DJ named "Ashela" (I think???) and his set was outstanding. He spun records on two turn tables and used the effects on his mixer and a chaos pad combined with his more tradition DJ skills to create a barrage of interesting sounds and a few beats here and there. What was interesting (annoying) about this set was that for some reason Bubblegum Shitface never got off the stage and was doing some sort of impromptu "jam" with him during his set, which did not seem consented even though Ashela was nice about it (I would have told him to fuck off). Then the other two shit-faces' joined on stage for their little bonus performance. The hilarious thing was that I believe these three guys were too stoned to realize that nothing they were doing with all there little gadgets was effecting the sounds the audience was hearing WHAT-SO-EVER and yet somehow they were noticeably taking ownership over what Ashela was producing by himself, as if they were helping and it was some great spontaneous moment. I personally thought it was silly and a little disrespectful... They had their turn and failed. Ashela did a great job and deserves 100% of the credit for that.
Then "Aunt's Analog" was on and that's when the show really started. Since I have lived in Austin I have been waiting patiently (not really patiently) to see a true noise act that could come anywhere near the type of stuff that's been going on in Richmond, VA in the last few years. This guy was the first contender. His setup was pretty basic for a noise act, analog tape player, a few effects pedals, a chaos pad and a contact mic for vocals and feedback... but his execution sucked me right in and spit me back out. It was intense, harsh, weird and energetic and you could tell he actually liked what he was doing and so did the audience. I finally got the fix I've been itching for since I moved here in October. You can check out Aunt's Analog on Myspace but I feel like the recordings on there do not do the live performance justice, so go see this guy!
And finally, the money shot... "PETER PANIC". I believe this was only the fourth time they had played live and these rowdy mother fuckers blew me away! First, I was handed a pair of those cardboard framed glasses that look like 3-D glasses but they make all the lights look like rainbow prism star-bursts... pretty trippy dood. Then they started setting up their elaborate video projection where they put a contact mic on the kick drum, ran it to a MIDI controller and into a laptop where the guy doing the projections had written a program (earlier that day) so the video would change every time the mic was triggered. Once they were all setup a half naked man in psychedelic war paint started blowing huge fireballs into the air which looked amazing through the special glasses. Then they started their sloppy, spazzy, beautiful set. There was a drummer, two guitar players and a forth guy that I did not understand, who just sort of walked around and bumped into people. I thought it would have been a lot tighter as a three piece, but maybe I was just upset that the random forth guy stole my magic classes. Dick. I was also really excited to see their projections but that Bubblegum Shitface guy again invited himself into the spot light, picked up their projector and moved it around for their entire set after they had it all setup. Crave attention much Mr. Shitface? The set ended with one of the guitar players on the other ones shoulders while they continued making racket, then a wrestling match, then one of the guitar players dumping the other one into the trash can. I had an ear to ear grin the entire time. Peter Panic is probably my new favorite local band. They don't have a web site that I can find, but a lot of their members and friends are involved in EYEPLUG // HUNTING MAGIC, a really cool video-artist collective that I am becoming friends with. The drummer of the band, Chris Reed, put out an incredible DVD called "Head Cleaner" featuring clips of video art and experimental animation, original video clips, a collage of thrift store vhs tapes and other cool shit that you can buy from their myspace page. Head Cleaner is MOST DEFINATELY worth checking out! Here are some clips/video samples:
So, over all I am really glad I went out last night and checked this show out... I would like to see a lot less layed back country fried indie bands, and a lot more stuff like Aunt's Analog and Peter Panic here in Austin... I'm still looking.
Friend and lover, Jason Hodges (Mr. Cockroach), has also started posting to Thee Outernet blog. It's a sweet site that features postings from members of AIDS Wolf.
Last night, we went to see a screening of the 1927 film, Metropolis, at the Alamo Drafthouse. The film was provided a new score by Golden Hornet Project, featuring Graham Reynolds. Reynolds provided the awesome score for (and in my opinion the best part of) 2006's A Scanner Darkly. The performance was great. I recommend it, if they ever do it again.
After the show, I was looking at the merch table and discovered this gem...
I wasn't sure what it was, but I knew it was a DVD. The cover and title sold it, for me. Long story short, it's amazing. Steph and I watched it, when we got home, and loved every minute of it. You can order a copy through resipiscent.com. Check out these excerpts I found on Youtube...
Here's the description of the video, from the website: "Savant-idiot video collaborations from the founding members of Brown Whörnet were never gathered, until now. From unholy rites of gall bladder extraction and enlickment, to awful animation, avian snuff, and film concret, they anticipate tv's Tim and Eric by years. And even if their gut slugging Ruins-esque wretchrock came after Ruins, recreating their 1997 cassette on this DVD with scopitonic oscillators is still way ahead of anything no one still hasn't tried yet. Curious? Uh huh. Stunned to drooling or screaming in painful leaking laughter, you'll want an absorbent bib when you set your head in front of Aaaartfÿstte. Super limited. Four-color silkscreen package by Stin-G with handcarved block-prints-from-video by Lucy Antler."
From Bill Porter, aka Big Eats, here is the long awaited solo collection, "Pain Jams." Bill has played in many Richmond, VA bands including Hallelujah! and HO-AX. Currently, he plays percussion and keyboard for Bermuda Triangles. I just finished listening to it and it's really awesome. There are a lot of guests performing on it, hence the "Munch Crew," and it really adds a lot of flavor to some already tasty morsels. Hey, look! I made food references in a food-theme-named music project!
